There's a very simple explanation for things like this. Often, a rose becomes available from one source, all others having discontinued selling it for their own reasons. When that one source experiences a natural disaster, such as a flood or fire, which happened to Roses of Yesterday and Today, the final source here in the US of many older roses, things can easily get confused. Memories fade, situations get rushed, descriptions and illustrations are often sketchy at best, and misidentifications occur. An excellent example is what I encountered when attempting to obtain Irish Fireflame years ago. The only available illustration was a hand colored plate in an old rose book which featured several single HT flowers. One was Irish Elegance with the caption that Fireflame and Elegance were sufficiently similar for the one picture to suffice for both.

It wasn't until speaking with someone who actually had GROWN Fireflame and knew it well I discovered what the obvious difference was, hence what to look for. When the single source for Tillier here "reintroduced" the rose into commerce with that name, it became accepted with that identity. Of course, overseas it was available as something else. Without photographic evidence and/or actual first hand experience with the roses, such confusions are difficult to unravel. Unfortunately, they do occur. There is this one; Colonial White/Sombreuil; Jacques Cartier/Maquise Boccella; Irish Fireflame/Elegance; Irene Watts/Pink Gruss an Aachen; Francis Dubreuil/Barcelona and probably a host of others with which I am not familiar. Fun, huh?

same here, the tub is even too small but continue sblooming like carzy